File:NDL1120973 アサヒカメラ叢書 9.pdf

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Original file(6,033 × 4,331 pixels, file size: 43.14 MB, MIME type: application/pdf, 84 pages)

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Summary

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アサヒカメラ叢書   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
吉川, 速男, 1890-1959
image of artwork listed in title parameter on this page
Title
アサヒカメラ叢書
Volume 9
Publisher
東京朝日新聞発行所
Language jpn
Publication date

1935

昭和10
Place of publication JP
Source

doi:10.11501/1120973

institution QS:P195,Q477675
Alternative Title
InfoField
夜間撮影の実際
Part Title
InfoField
夜間撮影の実際
Part Creator
InfoField
吉川速男 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
740
Extent
InfoField
134p ; 16cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
44065744
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
アサヒ カメラ ソウショ
Alternative Transcription
InfoField
ヤカン サツエイ ノ ジッサイ
Publisher Transcription
InfoField
トウキョウ アサヒ シンブン ハッコウジョ
Source Identifier: NDLBibID
InfoField
000000659502
Call Number
InfoField
特276-21
Creator Transcription: NDLNA
InfoField
ヨシカワ, ハヤオ
Creator: NDLNAId
InfoField
00097418
Contents
InfoField
標題

目次

夜間撮影/3

人造光線/6

光の性質/9

光の存在/10

光の性質/11

現代の夜間撮影/14

一時代前の夜間撮影/15

ライト無しで撮影を試みた實例/16

夜景を寫す二つの場合/17

夜間撮影は先づ夕方から/22

夜間に何を冩さうか/25

人物/27

靜物/29

集會、宴會、家庭の生活/31

街の夜景/32

煙火とネオンサイン/34

天體/36

月夜/37

夜の街頭スケッチの實例/39

天候/41

晴天と曇り日/42

雨の日/43

雪の日/44

夜間撮影と雨/48

霧の夜の美觀/51

三脚と代用物/53

一脚/55

三脚の無い時/58

チエーン三脚(鎖三脚)/61

手持で遅いシヤッターの失敗例/63

明暗兩極端を寫す實例/64

陣列窓の撮影/65

單調を避ける爲の二重寫し/66

最大F六・三迄のロ徑のカメラで夜景を速寫するには/68

電燈の明るい時に冩すこと/71

人造光線の種類/73

室内に於ける閃光撮影の實際/77

カメラの準備/78

室内人像撮影用ライト/81

原板の濃度と調子で印畫紙を選ぶ/87

小型活動の夜間撮影/88

夜間撮影の鍵/92

附録

夜間撮影法細記/103

(其一) 閃光球の使用法/104

(其二) 寫眞電球(一名スタヂオ電球)の使用法/109

(其三) 閃光電球(電池式無電池式)の使用法/112

(其四) 閃光電球の同時發光法/114

(其五) 閃光板(電池式、無電池式)の使用法/116

(其六) 人物撮影と電燈の位置/118

(其七) 人物撮影のヒント十點/122

(其八) 夜間の街景と光源の位置/124

(其九) 夜間撮影に適するカメラの一例/127

(其十) 日光と電燈光との差/129

(其十一) 電燈光と感光膜との關係/131

(其十二) 現像液に就て/133

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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