File:NDL1118684 音楽理論講義 part1.pdf

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Original file(6,047 × 4,306 pixels, file size: 48.61 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
音楽理論講義   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
門馬, 直衛, 1897-1961
image of artwork listed in title parameter on this page
Title
音楽理論講義
Publisher
敬文館
Language jpn
Publication date

1929

昭和4
Place of publication JP
Source

doi:10.11501/1118684

institution QS:P195,Q477675
Creator
InfoField
門馬直衛 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
761
Extent
InfoField
264p ; 23cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
46081172
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
オンガク リロン コウギ
Publisher Transcription
InfoField
ケイブンカン
Source Identifier: NDLBibID
InfoField
000000741315
Call Number
InfoField
383-150
Creator Transcription: NDLNA
InfoField
モンマ, ナオエ
Creator: NDLNAId
InfoField
00199059
Contents
InfoField
標題

目次

第一編 緒論

第一章 音程/3

第一節 音程/3

第二節 音程の轉回/9

第三節 音階の音程/10

第四節 音程の協和/20

第二章 和音/21

第一節 和音/21

第二節 三和音/23

第三節 四和音と五和音/28

第四節 和音の變化/31

第五節 和音の關係/34

第三章 旋律と和聲/36

第一節 聲部/36

第二節 旋律の進行/39

第三節 複聲部の進行/44

第四節 和音の進行/48

第五節 旋律の構造/55

第二編 和聲學

第四章 三和音/69

第一節 根位置形式/69

第五章 三和音の第一轉回/77

第六章 和聲の附け方/83

第七章 一音對數音/94

第八章 四六の和音と屬七の和音/101

第一節 靜止法的四六の和音(IcとVc)/101

第二節 經過的四六の和音/104

第三節 屬七の和音(根位置)/104

第九章 繋留/109

第一節 繋留/109

第二節 繋留の重複/113

第三節 裝飾的解決/114

第十章 屬七の轉回/119

第十一章 和聲外の音/123

第一節 強聲經過音/123

第二節 倚音/125

第三節 變化音/126

第四節 先行音/127

第十二章 轉調/132

第一節 轉調/132

第二節 轉調の配置/138

第十三章 保續音/146

第十四章 副七の和音/155

第一節 根位置/155

第二節 轉回/157

第三節 短調/158

第十五章 屬九の和音/164

第一節 屬長九度/164

第二節 屬短九度/165

第十六章 總練習/171

第三編 對位法學

第十七章 旋律と律動/179

第一節 緒論/179

第二節 嚴格對位法の種類/180

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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