File:Gettard Béguillet Voyage France Dauphiné -247.pdf

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Vue du Pont de la Tournelle l'Isle St. Louis, de l'Isle Louvier et d'une partie du Quai St. Bernard, prise du côté de la Rapée, dessiné en 1780
illustration extraite du livre

  • Voyage pittoresque de la France : avec la description de toutes ses provinces. Ouvrage national, dédié au Roi, orné d'un grand nombre de gravures exécutées avec le plus grand soin, d'après les dessins des meilleurs artistes. Dauphiné [fin] ; Ile-de-France, Paris [début], par Une Société de gens de lettres [par de La Borde, Béguillet, Guettard, etc.], Éditeur :
A Paris, de l'imprimerie de Monsieur. Chez Lamy, libraire, quai des Augustins, n° 26. M. DCC. LXXXIV-M. DCC. LXXXXII, 1784-1792.
Date 1780s
date QS:P,+1780-00-00T00:00:00Z/8
environs
Source Gallica BNF http://catalogue.bnf.fr/ark:/12148/cb30553398c
Author inconnu ; voir sur la gravure
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 Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
Other versions
  • Le site sur le plan Collin, 1823
    Le site sur le plan Collin, 1823
Notes
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Français : La Seine à Paris, vers l’aval (ouest), entre le port Saint-Bernard (gauche) et le port au Plâtre (droite) prise de la barrière de La Râpée; en arrière-plan, de gauche à droite : port et porte Saint-Bernard, ancien pont de la Tournelle, chevet de la cathédrale Notre-Dame de Paris, quai d’Orléans, quai Dauphin ou des Balcons (actuel quai de Béthune), Hôtel de Bretonvilliers et son jardin occupant la pointe amont (est) de l’île Saint-Louis (actuel square Barye) au confluent des deux bras de la Seine dont celui de droite, dit bras Marie (non visible) est partiellement barré par l’ancienne estacade dite de Saint-Louis (future passerelle de l'Estacade). Cette dernière aboutit à l’île Louviers (ultérieurement rattachée à la rive droite) surmontée de son unique construction. Une deuxième estacade, dite estacade de l'île Louviers est visible derrière le chariot stationné près de la barrière urbaine de la pointe de l'Arsenal visible au fond du chemin. Derrière cette porte s'élève le pavillon dit pavillon à la pointe de l'Arsenal (voir Arsenal de Paris). A droite port au Plâtre animé, bateliers, charretiers transportant du bois, femmes triant des fagots. Des piles de bois séparent le chemin de la rive. Plusieurs tours et clochers émergent du paysage urbain dont le clocher de l’église paroissiale Saint-Louis-en-l’Isle et la tour de l’église Saint-Jacques de la Boucherie. Une maison avec poulie au premier plan à droite.
A noter que le port au Plâtre s'étendait entre le port de la Râpée dont l'extrémité aval se trouvait au niveau de la rue Traversière jusqu'à la pointe de l'Arsenal.[1]

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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
 Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
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